Love Fest February

-


 Eurovision Song Contest: The Story of Fire Sage (2020 US) This deliciously stupid musical romcom stars Will Ferrell and Rachel McAdams as the singing duo Fire Saga. I've noticed that Farrell can put people off and sometimes rub you the wrong way. However, I do feel that this is some of his best work down the rung a bit from Elf. McAdams plays the foil to Ferrell's stupidity and he is quite stupid. It does mock Eurovision Song Contest and I hear that it did not piss off that many people. I didn't know that was a thing anymore. Ill have to get in on that "not hating stuff" action. It seems fun. The song at the end was really quite good and was nominated for an Oscar for best original song as well as a Grammy. The song was "lit". Am I allowed to say that being over 21 and all? Anyway, it came out just after Eurovision cancelled because Covid was wreaking havoc and we were all stuck inside. I loved some of the appearances of Eurovision contestants, not that I watch the contest. So a lot of people appreciated it at the time. Apparently, Ferrell and his Swedish wife are fans Which gave him the spark to make it. I think that with many films if you appreciate the source material it will show in the finished product and I really think that was the case here. Again don't overthink a movie like this. If you are enjoying it keep going if not then don't. For comedy that's kind of a rule. Find it exclusively on Netflix

Comments

Post a Comment

Popular posts from this blog

Bound- Noir Hot Take

-
Image
  Bound (1996 US) Todays second entry for #FemaleFilmmakerFriday is this Wachowski sisters neo-noir masterpiece. Jennifer Tilly and Gina Gershon concoct a scheme to steal money from Tilly's mob boyfriend. Tilly rocks as the femme fatale. It just felt like she was loving this role. Gershon plays the sap and she knocks it out if the park. It’s really hard to shoot noir style in color. The Wachowskis pulled it off with muted color production design and black to get the proper contrast and shadow. I'm not a big fan of the current trend of having bright colors and crushed blacks to get the contrast. Happy colors don't scream noir. It screams Teletubbies. Wikipedia says the budget was 6 million but I heard 3. Why is that important? Lower budgets are really going to cut down on so many things including locations. There was limited locations in this. Either way audiences liked it and it made money at the Box Office. It’s on Tubi and Pluto for free and rentable on other streaming pl
Read more

Shrek-Hot Take

-
Image
 Shrek (2001 US) Its #FemaleFimmakerFriday and today's entry is this now classic animated kids film directed by Vicky Jenson and Andrew Adamson. An Ogre sets upon rescuing the princess from a tower guarded by a dragon. If you are interested in going to see Dungeons and Dragons you will find there is a similarity to Shrek with D&D being just a bit more mature and live action. Jenson was not the first choice of director in charge of story. Kelly Asbury was first choice but departed to work on another film. Jenson and Adamson had their work cut out for them as a lot was going wrong including their star Chris Farley had passed away. Jenson was in charge of story and she was tasked with finding the right tone and story for the film. She did great and the film won an Oscar for Best Animated Feature. You can clearly see her influence on the film: for instance the princess does not really need rescuing. When I first saw that I was like, "wow! I didn't know they could do that?&
Read more

Brick-Noir Hot Take

-
Image
  Brick (2005) This Neo-noir stars Joseph Gordon Levitt and was written and directed by then first time feature filmmaker Rian Johnson (Star Wars, Knives Out) and had a whopping budget of 450k (I have also heard 800k). This film was basically a Chandler story... in high school and Levitt was Marlowe. If you think that sounds weird. Well it is kind of but Johnson and Levitt made it work. Getting traditionally noir shots is hard and audiences and fans know their stuff. What I loved about this gem is that Johnson adds to the vocabulary of noir or neo-noir. How? New ways to get high contrast, deep shadow and the incongruent lines of German Expressionism. Johnson did his absolute best to get those lovely noir shots and he did quite often and with a budget of 450k. That's really hard. Johnson is one of my favorite directors. He just keeps surprising me. Like many low budget films this was all about natural light and locations. worth a watch. Rentable on most streaming.
Read more